Razor Blade Cold
Razor Blade Cold
Razor Blade Cold
Razor Blade Cold

Razor Blade Cold

Dex Hannon

£750

Medium
Acrylic on canvas
Dimensions
90 W x 90 H x 4 D cm
Delivery
£30.00
Year
2021

Description

This painting is a visual response to Leonard Cohen's iconic track, So Long, Marianne. The depth and raw emotion in Cohen's words resonate profoundly, carried by the dark, haunting tones of his voice and the weight of his lyrics.

One verse in particular became the anchor for the piece, inspiring its title:
"Now I need your hidden love
I'm cold as a new razor blade
You left when I told you I was curious
I never said that I was brave."

Listening to the track on repeat, I allowed the music and words to guide my movement. Each stroke became a reflection of Cohen’s melancholic longing and quiet vulnerability, capturing the tension between fragility and strength. The result is a painting that seeks to translate sound and poetry into a visceral, visual experience, an exploration of loss, courage, and the complexity of human connection.

Details

Materials

Acrylic paint, canvas

Weight

4kg

Dimensions

90 W x 90 H x 4 D cm

Delivery

Delivery available to these regions:

Region
Price

UK Mainland

£30.00

Your artwork will be carefully packaged for safe transit. Each piece is wrapped in protective bubble wrap and securely boxed to ensure it arrives in perfect condition.

All deliveries are sent via a tracked and insured service, and a signature will be required upon receipt.

Each artwork includes a Certificate of Authentication to verify its provenance and value.

Legals

TERMS OF SALE

  • Prices are as listed on Exhibtd
  • Payments are securely processed through Stripe.
  • Orders will be processed and dispatched within 5 business days of receiving the order.
  • Estimated delivery times: 14 days.
  • Delivery will be tracked and tracking information provided once the order has been dispatched.
  • Delays caused by postal services are beyond my control.
  • If you change your mind, you may cancel or return the item within 14 days of receipt.
  • Please contact me before returning any items so we can arrange the process smoothly.
  • Shipping costs for returns are the responsibility of the buyer unless the item is damaged.
  • Please contact me if your item doesn’t arrive within 5 business days of dispatch.
  • If your item arrives damaged, please contact me within 2 days of receipt with photos and a description of the damage.
  • Refunds will be processed directly to your bank account. This is dependent upon you providing your bank details in a timely manner.
  • You can cancel your order before dispatch. Please contact me as soon as possible if you wish to cancel through your Exhibtd account area.
  • Custom or commissioned artworks cannot be returned unless faulty or damaged.

DISCLAIMERS

  • Colours may vary slightly between on-screen images and real artworks due to monitor settings and lighting.
  • Every original piece is handmade; small variations and imperfections are part of its character.
  • Frames shown in images are for display purposes unless otherwise specified.

COPYRIGHT

  • All artworks, designs, product images, and written content in this shopfront are copyright of Dex Hannon.
  • Works may not be copied, reproduced, or distributed without prior written permission.
  • Purchasing an artwork or print does not grant reproduction rights.

DATA PROTECTION

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About the artist

Dex Hannon

Northumberland, United Kingdom

British Multimedia Artist, originally from Manchester now based in the North East.  In 2025, he won the Collectors' Art Prize - Legends of Our Time Award. In 2020, he won best in show for the International Art Folio 2020 Annual award. In 2019, he was shortlisted for the Refresh Art Prize 2019.

His work encompasses paint, digital art, film, sound, and photography. His practice is an exploration of transformation and reinvention. At its core is a guiding question: “What else could it be?” A single frame can ignite an entire cascade of creation, a painting, a film or a digital work, each one carrying within it the potential for the next. In this recursive approach, the boundaries between mediums dissolve. Paintings give rise to films, films fracture into digital works, and digital interventions in turn inspire new material explorations. Nothing is ever final. Each work functions simultaneously as culmination and inception, a node within an expanding network of possibility.

Hannon works across painting, film and digital media, frequently collaborating with alter egos such as Skin Vehicles to expand the dialogue between sound, image and motion. The practice is not constrained by the conventions of medium, chronology or narrative. Instead, it embraces instability, evolution, chance and the unpredictable trajectories of artistic experimentation.

The work invites the viewer into a space where memory, perception and imagination intersect. Scale, materiality and temporal shift become tools for reflection, while the recursive methodology challenges assumptions about originality, finality and authorship. Hannon’s oeuvre is less concerned with depiction than with enactment, offering a lens through which audiences can reconsider not only what art is but what it might catalyse in thought and experience.

The Secret Salon: London Open 2025 

ABSTRACTION 25 - Line, Form, and Harmony - Alliance Française Cusco - Peru 2025

Blythian Memes - Republic gallery: Solo Show -  2025

Wow Northumberland : Ashington - Woodhorn Museum 2025

The Path - Palazzo Pisani-Revedin, during the Venice Biennale 2024

Abstracts Northlight Arts - Leeds  2024

Headway Arts Open 2024

Spring Awakening - Fox Yard Studio Art Gallery 2024

Wow Northumberland : Ashington - Woodhorn Museum 2024

Kraftstrom - B22 - November 22 at the Contemporary Art Museum of Cusco - Peru 2024